With a name like this, it has to be hot. Diagonal lines in light shades.
Source Isaac
White handmade paper pattern with small bumps.
Source Marquis
Bit of a strange name on this one, but still nice. Tiny gray square things.
Source Carlos Valdez
This was submitted in a beige color, hence the name. Now it’s a gray paper pattern.
Source Konstantin Ivanov
Seamless , tileable CC-0 texture. Created by my own, feel free to use wherever you want!
Source Linolafett
ZeroCC tileable moss texture, photographed and made by me. CC0
Source Sojan Janso
To get the tile this is based on, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
Vector version of a png that was uploaded to Pixabay by pencilparker
Source Firkin
A re-make of the Gradient Squares pattern.
Source Dimitar Karaytchev
I love cream! 50x50px and lovely in all the good ways.
Source Thomas Myrman
That’s what it is, a dark dot. Or sort of carbon looking.
Source Tsvetelin Nikolov
Seamless Light Background Texture.
Source V. Hartikainen
With a name this awesome, how can I go wrong?
Source Nikolay Boltachev
Background Wall, Art Abstract, Block Well & CC0 texture.
Source Ractapopulous
A seamless pattern formed from a tile that can be had in Inkscape by selecting the rectangle and using shift+alt+i.
Source Firkin
Lovely light gray floral motif with some subtle shades.
Source GraphicsWall
Element of beach pattern with background.
Source Rones
A free seamless background with pink spots.
Source V. Hartikainen
A free seamless background image with abstract texture of green "curtain".
Source V. Hartikainen
To get the tile this is based on, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
A seamless texture of an abstract wall colored in shades of light orange brown.
Source V. Hartikainen
A seamless chequerboard pattern formed from a tile that can be had in Inkscape by selecting the rectangle and using shift+alt+i. Alternative colour scheme.
Source Firkin
Formed from a tile based on a drawing from 'Viaggi d'un artista nell'America Meridionale', Guido Boggiani, 1895.
Source Firkin