With a name like this, it has to be hot. Diagonal lines in light shades.
Source Isaac
From a drawing in 'At home', J. Sowerby, J. Crane and T. Frederick, 1881.
Source Firkin
Remixed from a design seen in 'Burghley. The Life of William Cecil', William Charlton, 1857. The tile this is based on can be had by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
To get the tile this is based on, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
To get the tile this is based on, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
Derived from a drawing in 'Historiske Afhandlinger', Adolf Jorgensen, 1898.
Source Firkin
Super dark, crisp and detailed. And a Kill Bill reference.
Source Badhon Ebrahim
Continuing the geometric trend, here is one more.
Source Mike Warner
From a drawing in 'Bond Slaves. The story of a struggle.', Isabella Varley, 1893.
Source Firkin
A repeating background of beige (or is it more vanilla yellow) textured stripes. One more background with stripes.
Source V. Hartikainen
A light gray background pattern with seamless fabric-like texture and almost unnoticeable stripes.
Source V. Hartikainen
Sounds French. Some 3D square diagonals, that’s all you need to know.
Source Graphiste
This seamless pattern consists of a blue grid on a yellow background.
Source V. Hartikainen
Bigger is better, right? So here you have some large carbon fiber.
Source Factorio.us Collective
Paper model of a tetrahedron. Modelo de papel de um tetraedro.
Source laobc
Dark, lines, noise, tactile. You get the drift.
Source Anatoli Nicolae
A free seamless background with pink spots.
Source V. Hartikainen
Nice little grid. Would work great as a base on top of some other patterns.
Source Arno Gregorian
Prismatic Rounded Squares Grid 4 No Background
Source GDJ
This is the remix of "Tileable Wave Pattern 2" uploaded by "Arvin61r58".Thanks.I added a wire-mesh fence seamless pattern as a lower layer.
Source Yamachem
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin