Nice little grid. Would work great as a base on top of some other patterns.
Source Arno Gregorian
Colour version that is close to the original drawing uploaded to Pixabay by pencilparker.
Source Firkin
To get the tile this is based on, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
Not the most creative name, but it’s a good all-purpose light background.
Source Dmitry
A floral background formed from numerous clones of flower 117.
Source Firkin
This is so subtle: We’re talking 1% opacity. Get your squint on!
Source Atle Mo
I took the liberty of using Dmitry’s pattern and made a version without perforation.
Source Atle Mo
Drawn in Paint.net and vectorised in Vector Magic.
Source Firkin
Design drawn in Paint.net, vectorised using Vector Magic and finished in Inkscape.
Source Firkin
Same as Silver Scales, but in black. Turn your site into a dragon with this great scale pattern.
Source Alex Parker
A car pattern?! Can it be subtle? I say yes!
Source Radosław Rzepecki
Crossing lines with a subtle emboss effect on a dark background.
Source Stefan Aleksić
He influenced us all. “Don’t be sad because it’s over. Smile because it happened.”
Source Atle Mo
One more updated pattern. Not really carbon fiber, but it’s the most popular pattern, so I’ll give you an extra choice.
Source Atle Mo
Remixed from a drawing in 'In an Enchanted Island', William Mallock, 1892.
Source Firkin
More bright luxury. This is a bit larger than fancy deboss, and with a bit more noise.
Source Viszt Péter
These dots are already worn for you, so you don’t have to.
Source Matt McDaniel
Dark pattern with some nice diagonal stitched lines crossing over.
Source Ashton
From a drawing in 'At home', J. Sowerby, J. Crane and T. Frederick, 1881.
Source Firkin
There are many carbon patterns, but this one is tiny.
Source Designova
Did some testing with Repper Pro tonight, and this gray mid-tone pattern came out.
Source Atle Mo
Prismatic Curved Diamond Pattern 2 No Background
Source GDJ
Prismatic Hexagonalist Pattern No Background
Source GDJ
From a drawing in 'Friend or Fortune? The story of a strange year', Robert Overton, 1897.
Source Firkin