Zero CC bark from fur tree tileable texture, photographed and made by me. CC0
Source Sojan Janso
I’m not going to lie – if you submit something with the words Norwegian and Rose in it, it’s likely I’ll publish it.
Source Fredrik Scheide
Remixed from a design seen in 'Burghley. The Life of William Cecil', William Charlton, 1857.
Source Firkin
A smooth mid-tone gray, or low contrast if you will, linen pattern.
Source Jordan Pittman
Prismatic Snowflakes Pattern No Background
Source GDJ
CC0 and a seamless pattern from a tile drawn in Paint.net .
Source SliverKnight
From a drawing in 'Cassell's Library of English Literature', Henry Morley, 1883.
Source Firkin
A seamless pattern with wide vertical stripes colored in pale yellow.
Source V. Hartikainen
A repeating background with wood/straw like texture.
Source V. Hartikainen
Seamless , tileable CC-0 texture. Created by my own, feel free to use wherever you want!
Source Linolafett
A hint of orange color, and some crossed and embossed lines.
Source Adam Anlauf
Design drawn in Paint.net, vectorised using Vector Magic and finished in Inkscape.
Source Firkin
This seamless pattern consists of a blue grid on a yellow background.
Source V. Hartikainen
So tiny, just 7 by 7 pixels – but still so sexy. Ah yes.
Source Dmitriy Prodchenko
A set of paper filters. The base texture is generated the same way, only the compositing mode is varied.
Source Lazur URH
Bright gray tones with a hint of some metal surface.
Source Hendrik Lammers
From a drawing in 'Royal Ramsgate', James Simson, 1897.
Source Firkin
This background pattern looks like bamboo to me. Feel free to download it for your website (for your blog perhaps?).
Source V. Hartikainen
A bit like smudged paint or some sort of steel, here is scribble light.
Source Tegan Male
If you want png files of thisu can download them here :
Source Viscious-Speed
Element of beach pattern with background.
Source Rones
A seamless pattern formed from a tile that can be had in Inkscape by selecting the rectangle and using shift+alt+i.
Source Firkin
From a drawing in 'At home', J. Sowerby, J. Crane and T. Frederick, 1881.
Source Firkin
Mostly just mucked about with the colours and made one of the paths in the lead frame opaque. The glass remains transparent.
Source Firkin