Seamless , tileable CC-0 texture. Created by my own, feel free to use wherever you want!
Source Linolafett
Fabric-ish patterns are close to my heart. French Stucco to the rescue.
Source Christopher Buecheler
To get the tile this is based on, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
A seamless texture traced from an image on opengameart.org shared by Scouser.
Source Firkin
Little x’es, noise and all the stuff you like. Dark like a Monday, with a hint of blue.
Source Tom McArdle
Cubes as far as your eyes can see. You know, because they tile.
Source Jan Meeus
Prismatic Polka Dots Mark II 2 No Background
Source GDJ
A hint of orange color, and some crossed and embossed lines.
Source Adam Anlauf
From a drawing in 'In an Enchanted Island', William Mallock, 1892.
Source Firkin
Seamless pattern inspired by a drawing on Pixabay. To get the tile this is formed from, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
It’s like Shine Dotted’s sister, only rotated 45 degrees.
Source mediumidee
Can’t believe we don’t have this in the collection already! Slick woven pattern with crisp details.
Source Max Rudberg
Because I love dark patterns, here is Brushed Alum in a dark coating.
Source Tim Ward
Prismatic Snowflakes Pattern 3 No Background
Source GDJ
You can never get enough of these tiny pixel patterns with sharp lines.
Source Designova
A background pattern with a look of rough fabric.
Source V. Hartikainen
From a drawing in 'Studies for Stories', Jean Ingelow, 1864.
Source Firkin
From a drawing of the coat of arms of the Ottoman Empire on Wikimedia.
Source Firkin
This is sort of fresh, but still feels a bit old school.
Source Martuchox
Very dark pattern with some noise and 45-degree lines.
Source Stefan Aleksić
Prismatic Groovy Concentric Background 5 No Black
Source GDJ
Clean and crisp lines all over the place. Wrap it up with this one.
Source Dax Kieran
Remixed from a drawing in 'Line and form', Walter Crane, 1914.
Source Firkin