Luxurious looking pattern (for a T-shirt maybe?) with a hint of green.
Source Simon Meek
A seamless texture of black leather. I think it will look best when used in headers, footers or sidebars.
Source V. Hartikainen
To get the tile this is based on, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
Pixel by pixel, sharp and clean. Very light pattern with clear lines.
Source M.Ashok
A seamless texture traced from an image on opengameart.org shared by Scouser.
Source Firkin
Zero CC tileable Laminate wood texture, photographed and made by me. CC0
Source Sojan Janso
Sort of reminds me of those old house wallpapers.
Source Tish
Light honeycomb pattern made up of the classic hexagon shape.
Source Federica Pelzel
A grid of squares with green colours. Since the colours are randomly distributed it is automatically seamless.
Source Firkin
Number 2 in a series of 5 beautiful patterns. Can be found in colors on the submitter’s website.
Source Janos Koos
A seamless texture traced from an image on opengameart.org shared by Scouser.
Source Firkin
Colour version of the original pattern inspired by the front cover of 'Old and New Paris', Henry Edwards, 1894.
Source Firkin
Sharp diamond pattern. A small 24x18px tile.
Source Tom Neal
New paper pattern with a slightly organic feel to it, using some thin threads.
Source Atle Mo
Vector version of a png that was uploaded to Pixabay by pencilparker
Source Firkin
8 by 8 pixels, and just what the title says.
Source pixilated
Zerro CC tillable texture of stones photographed and made by me. CC0
Source Sojan Janso
After 1 comes 2, same but different. You get the idea.
Source Hendrik Lammers
To get the tile this is based on, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
Geometric triangles seem to be quite hot these days.
Source Pixeden
This one is so simple, yet so good. And you know it. Has to be in the collection.
Source Gluszczenko
The starting point for this was drawn on the web site steamcoded.org/PolyskelionMaker.svg
Source Firkin
From a drawing in 'Line and form', Walter Crane, 1914.
Source Firkin