The tile this is based on can be retrieved by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
A re-make of the Gradient Squares pattern.
Source Dimitar Karaytchev
Prismatic Hypnotic Pattern 2 No Background
Source GDJ
A repeating background for websites with a texture of black groove stripes.
Source V. Hartikainen
A nice and simple gray stucco material. Great on its own, or as a base for a new pattern.
Source Bartosz Kaszubowski
A seamless pattern drawn originally in Paint.net by distorting a slice of background pattern 116 and copying the resulting triangle numerous times.
Source Firkin
More carbon fiber for your collections. This time in white or semi-dark gray.
Source Badhon Ebrahim
As far as fabric patterns goes, this is quite crisp.
Source Heliodor Jalba
Number 5 in a series of 5 beautiful patterns. Can be found in colors on the submitter’s website.
Source Janos Koos
Prismatic Hexagonalism Pattern No Background
Source GDJ
Derived from elements found in a floral ornament drawing on Pixabay.
Source Firkin
From a tile that can be had by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
A simple but elegant classic. Every collection needs one of these.
Source Christopher Burton
You may use it as is, or modify it as you like.
Source V. Hartikainen
A seamless pattern formed from a square tile. The tile can be retrieved by selecting the rectangle in Inkscape and using shift-alt-I. Version with black background.
Source Firkin
Thin lines, noise and texture creates this crisp dark denim pattern.
Source Marco Slooten
A repeating background of beige paper with vintage look. Repeats to infinity, as usual.
Source V. Hartikainen
Prismatic Groovy Concentric Background 4 No Black
Source GDJ
Here's a quite bright pink background pattern for use on websites. It doesn't look like a real fur, but it definitely resembles one.
Source V. Hartikainen
Sharp pixel pattern, just like the good old days.
Source Paridhi
Prismatic Basic Pattern 2 No Background
Source GDJ
You know you love wood patterns, so here’s one more.
Source Richard Tabor