Simple gray checkered lines, in light tones.
Source Radosław Rzepecki
A floral background formed from numerous clones of flower 117.
Source Firkin
Used correctly, this could be nice. Used in a bad way, all hell will break loose.
Source Atle Mo
Just like the black maze, only in light gray. Duh.
Source Peax
To get the tile this is based on select the rectangle in Inkscape and use shift+alt+i
Source Firkin
This seamless pattern consists of a blue grid on a yellow background.
Source V. Hartikainen
Remixed from a drawing in 'Maidenhood; or, the Verge of the Stream', Laura Jewry, 1876.
Source Firkin
From a drawing in 'Sun Pictures of the Norfolk Broads', Ernest Suffling, 1892.
Source Firkin
The image is a seamless pattern which is derived from a vine .Consequently, the vine got like dots via vectorization.The original vine is here:jp.pinterest.com/pin/500744052301410188/
Source Yamachem
An emulated “transparent” background pattern, like that of all kinds of computer graphics software.
Source AdamStanislav
Seamless Light Background Texture.
Source V. Hartikainen
Made by distorting a simple pattern using the 'sin waves' plugin for Paint.net and vectorising in Vector Magic
Source Firkin
This one could be the shirt of a golf player. Angled lines in different thicknesses.
Source Olivier Pineda
The classic subtle pattern. Sort of wall/brick looking. Or moon-looking?
Source Joel Klein
A light gray wall or floor (you decide) of concrete.
Source Atle Mo
Prismatic Isometric Cube Wireframe Pattern No Background
Source GDJ
To get the tile this is based on, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
This texture looks like old leather. It should look great as a background on web pages.
Source V. Hartikainen
Sort of like the Photoshop transparent background, but better!
Source Alex Parker
Super dark, crisp and detailed. And a Kill Bill reference.
Source Badhon Ebrahim
Hey, you never know when you’ll need a bird pattern, right?
Source Pete Fecteau
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin