Similar to original, but without gaps in between the arrows. This seamless pattern was created from a rectangular tile. To get the tile, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
Made by distorting a simple pattern using the 'sin waves' plugin for Paint.net and vectorising in Vector Magic
Source Firkin
A seamless chequerboard pattern formed from a tile that can be had in Inkscape by selecting the rectangle and using shift+alt+i. Alternative colour scheme.
Source Firkin
Looks like a technical drawing board: small squares forming a nice grid.
Source We Are Pixel8
A pattern derived from repeating unit cells each derived from part of a fractal rendering in paint.net.
Source Firkin
To get the tile this is based on, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
Classic vertical lines, in all its subtlety.
Source Cody L
Wild Oliva or Oliva Wilde? Darker than the others, sort of a medium dark pattern.
Source Badhon Ebrahim
One more brick pattern. A bit more depth to this one.
Source Benjamin Ward
Made by distorting a simple pattern using the 'sin waves' plugin for Paint.net and vectorising in Vector Magic
Source Firkin
The perfect pattern for all your blogs about type, or type-related matters.
Source Atle Mo
Prismatic Geometric Tessellation Pattern 2 No Background
Source GDJ
An emulated “transparent” background pattern, like that of all kinds of computer graphics software.
Source AdamStanislav
Seamless pattern formed from a tile that can be had by selecting the rectangle in Inkscape and using shift-alt-i.
Source Firkin
Almost like little fish shells, or dragon skin.
Source Graphiste
A lovely light gray pattern with stripes and a dash of noise.
Source V. Hartikainen
Zero CC tileable ground cracked, crackled, texture, made by me.
Source Sojan Janso
To get the tile this is based on select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
A heavy dark gray base, some subtle noise and a 45-degree grid makes this look like a pattern with a tactile feel to it.
Source Atle Mo
Colour version of the original pattern inspired by the front cover of 'Old and New Paris', Henry Edwards, 1894.
Source Firkin
From a drawing in 'Gately's World's Progress', Charles Beale, 1886.
Source Firkin
Drawn in Paint.net using the kaleidoscope plug-in and vectorised.
Source Firkin
To get the tile this is based on select the rectangle in Inkscape and use shift+alt+i.
Source Firkin