Alternative colour scheme for the original floral pattern.
Source Firkin
You can never get enough of these tiny pixel patterns with sharp lines.
Source Designova
Non-seamless pattern drawn in Paint.net and vectorised in Vector Magic.
Source Firkin
To get the tile this is based on, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
It’s okay to be square! A nice light gray pattern with random squares.
Source Waseem Dahman
Background formed from the original with an emboss effect
Source GDJ
Remixed from a design seen in 'Burghley. The Life of William Cecil', William Charlton, 1857
Source Firkin
The image is a seamless pattern which is derived from a vine .Consequently, the vine got like dots via vectorization.The original vine is here:jp.pinterest.com/pin/500744052301410188/
Source Yamachem
Might not be super subtle, but quite original in its form.
Source Alex Smith
The following repeating website background is colored in a blue gray color and resembles a concrete wall or something similar to it.
Source V. Hartikainen
Prismatic Abstract Geometric Background 3
Source GDJ
Zero CC bark from fur tree tileable texture, photographed and made by me. CC0
Source Sojan Janso
A simple but elegant classic. Every collection needs one of these.
Source Christopher Burton
Sharp pixel pattern, just like the good old days.
Source Paridhi
Dark, crisp and subtle. Tiny black lines on top of some noise.
Source Wilmotte Bastien
A seamless pattern formed from a square tile. The tile can be retrieved by selecting the rectangle in Inkscape and using shift-alt-i.
Source Firkin
Inspired by a pattern seen on a public domain image of a very old tile. To get the unit cell, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
A seamless background of warped stripes on paper.
Source V. Hartikainen
A seamless pattern formed from a tile made from page ornament 22. To get the tile, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
Prismatic Groovy Concentric Background No Black
Source GDJ
From a drawing in 'Prose and Verse ', William Linton, 1836.
Source Firkin