Alternative colour scheme for the original floral pattern.
Source Firkin
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
Remixed from a design on Pixabay. To get the tile this is based on select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
An aged paper background tile with smeared and pressed text.
Source V. Hartikainen
A nice looking light gray background pattern with diagonal stripes.
Source V. Hartikainen
Based on several public domain drawings on Wikimedia Commons. This was formed from a rectangular tile. The tile can be accessed in Inkscape by selecting the rectangle and using shift-alt-i.
Source Firkin
The original enhanced with some gradients.
Source Firkin
Dark, lines, noise, tactile. You get the drift.
Source Anatoli Nicolae
Zerro CC tillable texture of stones photographed and made by me. CC0
Source Sojan Janso
This beige background pattern resembles a concrete wall with engravings or something similar to it.
Source V. Hartikainen
Tweed is back in style – you heard it here first. Also, the @2X version here is great!
Source Simon Leo
Formed by distorting a JPG from PublicDomainPictures
Source Firkin
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
Utilising some flowers from Almeidah. To get the unit tile, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
It’s an egg, in the form of a pattern. This really is 2012.
Source Paul Phönixweiß
The unit cell for this seamless pattern can be had in Inkscape by selecting the rectangle and using shift+alt+i.
Source Firkin
Number 2 in a series of 5 beautiful patterns. Can be found in colors on the submitter’s website.
Source Janos Koos
Submitted in a cream color, but you know how I like it.
Source Devin Holmes
A seamless pattern from a tile drawn in Paint.net and vectorised in Vector Magic
Source Firkin
To get the tile this is made up from select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
Bright gray tones with a hint of some metal surface.
Source Hendrik Lammers