From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
Zerro CC tillable texture of stones photographed and made by me. CC0
Source Sojan Janso
Remixed from a drawing in 'Hungary. A guide book. By several authors', 1890.
Source Firkin
The image a seamless pattern derived from a weed which I can't identify.The original weed image is from here:https://jp.pinterest.com/pin/500744052301423641/
Source Yamachem
Geometric triangles seem to be quite hot these days.
Source Pixeden
It’s a hole, in a pattern. On your website. Dig it!
Source Josh Green
You can never get enough of these tiny pixel patterns with sharp lines.
Source Designova
Prismatic Curved Diamond Pattern 5 No Background
Source GDJ
A seamless background pattern with a texture of wood planks. This wood background pattern has vertically arranged planks. You may try to rotate it 90°, to see how it will look like when the wood planks are arranged horizontally.
Source V. Hartikainen
To get the tile this is based on select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
I love these crisp, tiny, super subtle patterns.
Source Badhon Ebrahim
Could be paper, could be a Polaroid frame – up to you!
Source Chaos
Alternative colour scheme. Not a pattern for fabrics, but one produced from a jpg of a stack of fabric items that was posted on Pixabay. The tile that this is based on can be had by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
Vector version of a JPG that was uploaded to Pixabay by theasad121
Source Firkin
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
I’m not going to use the word Retina for all the new patterns, but it just felt right for this one. Huge wood pattern for ya’ll.
Source Atle Mo
Vector version of a png that was uploaded to Pixabay by pencilparker
Source Firkin
Derived from an image that was uploaded to Pixabay by Kaz
Source Firkin
A seamless pattern formed from a square tile. The tile can be retrieved by selecting the rectangle in Inkscape and using shift-alt-i
Source Firkin