Derived from a JPG that was uploaded to Pixabay by ractapopulous
Source Firkin
It almost looks a bit blurry, but then again, so are fishes.
Source Petr Šulc
Zerro CC tillable texture of stones photographed and made by me. CC0
Source Sojan Janso
Zerro CC tillable texture of stones photographed and made by me. CC0
Source Sojan Janso
The image depicts a seamless pattern of a Japanese family crest called "chidori" in Japanese .A chidori in Japanese means a plover in English.
Source Yamachem
Everyone needs some stardust. Sprinkle it on your next project.
Source Atle Mo
To get the tile this is made up from select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
Pattern produced in Paint.net using the Vibrato plug-in.
Source Firkin
Bigger is better, right? So here you have some large carbon fiber.
Source Factorio.us Collective
All good things come in threes, so I give you the third in my little concrete wall series.
Source Atle Mo
Zerro CC tillable texture of stones photographed and made by me. CC0
Source Sojan Janso
Use shift+alt+i on the selected rectangle in Inkscape to get the tile this is based on
Source Firkin
The tile this is based on can be had by selecting the rectangle in Inkscape and using shift+alt+i
Source Firkin
Tiny circle waves, almost like the ocean.
Source Sagive
Formed from a tile based on a drawing from 'Viaggi d'un artista nell'America Meridionale', Guido Boggiani, 1895.
Source Firkin
You could get a bit dizzy from this one, but it might come in handy.
Source Dertig Media
The unit cell for this seamless pattern can be had in Inkscape by selecting the rectangle and using shift+alt+i.
Source Firkin
Inspired by a drawing in 'Kulturgeschichte', Freidrich Hellwald, 1896.
Source Firkin
Adapted from a drawing in 'Line and form', Walter Crane, 1914.
Source Firkin
Remixed from a drawing in 'An Index to Deering's Nottinghamia Vetus et Nova', Rupert Chicken, 1899. The unit tile can be had by selecting the rectangle in Inkscape and using shift-alt-i
Source Firkin
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
One more from Badhon, sharp horizontal lines making an embossed paper feeling.
Source Badhon Ebrahim
Remixed from a drawing in 'In an Enchanted Island', William Mallock, 1892.
Source Firkin
Remixed from a drawing in 'Line and form', Walter Crane, 1914.
Source Firkin
Greyscale version of a pattern that came out of playing with the 'light rays' plug-in for Paint.net
Source Firkin