From a drawing in 'Cowdray: the history of a great English House', Julia Roundell, 1884.
Source Firkin
Dark blue concrete wall with some small dust spots.
Source Atle Mo
Tiny, tiny 3D cubes. Reminds me of the good old pattern from k10k.
Source Etienne Rallion
A white version of the very popular linen pattern.
Source Ant Ekşiler
One more brick pattern. A bit more depth to this one.
Source Benjamin Ward
To get the tile this is based on, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
A yellow tiled background... Blurriness, bokeh effect and rectangles pattern in one mix.
Source V. Hartikainen
The unit cell for this seamless pattern can be had in Inkscape by selecting the rectangle and using shift+alt+i.
Source Firkin
Used in small doses, this could be a nice subtle pattern. Used on a large surface, it’s dirty!
Source Paul Reulat
With a name like this, it has to be hot. Diagonal lines in light shades.
Source Isaac
Made by distorting a simple pattern using the 'sin waves' plugin for Paint.net and vectorising in Vector Magic
Source Firkin
Same classic 45-degree pattern, dark version.
Source Luke McDonald
A pattern derived from repeating unit cells each derived from part of a fractal rendering in paint.net.
Source Firkin
From a tile that can be had by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
The image is a design of blue glass.How about using it as background image?
Source Yamachem
Zerro CC tillable texture of stones photographed and made by me. CC0
Source Sojan Janso
To get the tile this is based on, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
Did some testing with Repper Pro tonight, and this gray mid-tone pattern came out.
Source Atle Mo
Prismatic Polyskelion Pattern No Background
Source GDJ
Seamless pattern formed from a square tile that can be retrieved in Inkscape by selecting the rectangle and using shift-alt-i.
Source Firkin
If you like it a bit trippy, this wave pattern might be for you.
Source Ian Soper
If you don’t like cream and pixels, you’re in the wrong place.
Source Mizanur Rahman
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin