Derived from an image that was uploaded to Pixabay by darkmoon1968
Source Firkin
Here's a subtle marble-like background for use on websites.
Source V. Hartikainen
The tile this is based on can be retrieved by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
The unit cell for this seamless pattern can be had in Inkscape by selecting the rectangle and using shift+alt+i.
Source Firkin
The unit cell for this seamless pattern can be had in Inkscape by selecting the rectangle and using shift+alt+i.
Source Firkin
From a drawing in 'Resa i Afrika, genom Angola, Ovampo och Damaraland', P. Moller, 1899.
Source Firkin
A hint of orange color, and some crossed and embossed lines.
Source Adam Anlauf
This is so subtle I hope you can see it! Tweak at will.
Source Alexandre Naud
Remixed from a design on Pixabay. To get the tile this is based on select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
A seamless pattern based on a tile that can be achieved by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
A green background pattern with warped vertical stripes and a grunge look.
Source V. Hartikainen
Fix and cc0 to get the tile this is based on.
Source SliverKnight
Seamless , tileable CC-0 texture. Created by my own, feel free to use wherever you want!
Source Linolafett
White little knobs, coming in at 10x10px. Sweet!
Source Amos
From a drawing in 'Resa i Afrika, genom Angola, Ovampo och Damaraland', P. Moller, 1899.
Source Firkin
It almost looks a bit blurry, but then again, so are fishes.
Source Petr Šulc
This metal background pattern resembles a metal plate with rivets. Solid rivets on a metal plate.
Source V. Hartikainen
Small dots with minor circles spread across to form a nice mosaic.
Source John Burks
From a drawing in 'Resa i Afrika, genom Angola, Ovampo och Damaraland', P. Moller, 1899.
Source Firkin
On a large canvas you can see it tiling, but used on smaller areas, it’s beautiful.
Source Paul Phönixweiß
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin