From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
Light gray grunge wall with a nice texture overlay.
Source Adam Anlauf
Drawn in Paint.net using the kaleidoscope plug-in and vectorised.
Source Firkin
Wild Oliva or Oliva Wilde? Darker than the others, sort of a medium dark pattern.
Source Badhon Ebrahim
Zerro CC tillable texture of stones photographed and made by me. CC0
Source Sojan Janso
Zerro CC tillable texture of stones photographed and made by me. CC0
Source Sojan Janso
A seamless pattern the unit cell for which can be had by selecting the rectangle in Inkscape and using shift+alt+i
Source Firkin
Prismatic Groovy Concentric Background 4
Source GDJ
A seamless pattern based on a rectangular tile that can be retrieved in Inkscape by selecting the rectangle and using shift-alt-i.
Source Firkin
Submitted as a black pattern, I made it light and a few steps more subtle.
Source Andy
A repeating background of thick textured paper. Actually, it turned out to look like something between a paper and fabric.
Source V. Hartikainen
On a large canvas you can see it tiling, but used on smaller areas, it’s beautiful.
Source Paul Phönixweiß
It looks very nice I think.
Source V. Hartikainen
Did some testing with Repper Pro tonight, and this gray mid-tone pattern came out.
Source Atle Mo
An alternative colour scheme to the original seamless pattern.
Source Firkin
Classic 45-degree pattern, light version.
Source Luke McDonald
A seamless texture traced from an image on opengameart.org shared by Scouser.
Source Firkin
Remixed from a drawing in 'Line and form', Walter Crane, 1914.
Source Firkin
To get the tile this is based on select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
This ons is quite old school looking. Retro, even. I like it.
Source Arno Declercq
Alternative colour scheme for the original floral pattern.
Source Firkin
From a drawing in 'Real Sailor-Songs', John Ashton, 1891.
Source Firkin
Pattern produced in Paint.net using the Vibrato plug-in.
Source Firkin
It’s big, it’s gradient—and it’s square.
Source Brankic1979