Background formed from the original with an emboss effect
Source GDJ
Super dark, crisp and detailed. And a Kill Bill reference.
Source Badhon Ebrahim
Prismatic Groovy Concentric Background 2
Source GDJ
The image depicts a seamless pattern of a tortoise in tortoiseshell (hexagon).
Source Yamachem
Nicely crafted paper pattern, although a bit on the large side (500x593px).
Source Blaq Annabiosis
Zero CC Mossy stone tileable texture, photographed and made by me. CC0
Source Sojan Janso
Prismatic Hexagonalism Pattern No Background
Source GDJ
Embossed lines and squares with subtle highlights.
Source Alex Parker
From a drawing in 'Line and form', Walter Crane, 1914.
Source Firkin
Number 1 in a series of 5 beautiful patterns. Can be found in colors on the submitter’s website.
Source Janos Koos
Psychedelic Geometric Background No Black
Source GDJ
Used correctly, this could be nice. Used in a bad way, all hell will break loose.
Source Atle Mo
Remixed from a drawing in 'Hungary. A guide book. By several authors', 1890.
Source Firkin
A seamless texture traced from an image on opengameart.org shared by Scouser.
Source Firkin
Remixed from a drawing in 'Maidenhood; or, the Verge of the Stream', Laura Jewry, 1876.
Source Firkin
I have no idea how to describe this one, but it’s light and delicate.
Source JBasoo
You know I’m a sucker for these. Well-crafted paper pattern.
Source Mihaela Hinayon
Design drawn in Paint.net, vectorised using Vector Magic and finished in Inkscape.
Source Firkin
Inspired by an image that was uploaded to Pixabay by geralt
Source Firkin
A seamless pattern from a tile drawn in Paint.net and vectorised in Vector Magic
Source Firkin
Three shades of gray makes this pattern look like a small carbon fiber surface. Great readability even for small fonts.
Source Atle Mo
An alternative colour scheme for the original background.
Source Firkin
Beautiful dark noise pattern with some dust and grunge.
Source Vincent Klaiber
A seamless pattern formed from a square tile. The tile can be retrieved by selecting the rectangle in Inkscape and using shift-alt-I.
Source Firkin