Remixed from a drawing in 'Line and form", Walter Crane, 1914.
Source Firkin
Small gradient crosses inside 45-degree boxes, or bigger crosses if you will.
Source Wassim
To get the tile this is based on, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
An interesting dark spotted pattern at an angle.
Source Hendrik Lammers
A free seamless background pattern for use on websites.
Source V. Hartikainen
To get the tile this is based on, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
A seamless background drawn in Paint.net and vectorised with Vector Magic. The starting point was a photograph of drinking straws from Pixabay.
Source Firkin
I know there is one here already, but this is sexy!
Source Gjermund Gustavsen
A frame using leaves from an image that was uploaded to Pixabay by mayapujiati
Source Firkin
Another fairly simple design drawn in Paint.net and vectorized in Inkscape.
Source Firkin
A seamless chequerboard pattern formed from a tile that can be had in Inkscape by selecting the rectangle and using shift+alt+i. Alternative colour scheme.
Source Firkin
You don’t see many mid-tone patterns here, but this one is nice.
Source Joel Klein
A set of paper filters. The base texture is generated the same way, only the compositing mode is varied.
Source Lazur URH
Nasty or not, it’s a nice pattern that tiles. Like they all do.
Source Badhon Ebrahim
Inspired by a JPG that was uploaded to Pixabay by kokon_art
Source Firkin
Zerro CC tillable texture of stones photographed and made by me. CC0
Source Sojan Janso
Bright gray tones with a hint of some metal surface.
Source Hendrik Lammers
From a tile that can be had by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
He influenced us all. “Don’t be sad because it’s over. Smile because it happened.”
Source Atle Mo
Used the 6th circle pattern designed by Viscious-Speed to create a print that can be used for card making or scrapbooking. Save as a PDF file for the best printing option.
Source Lovinglf
Remixed from a drawing in 'Line and form', Walter Crane, 1914.
Source Firkin