Remixed from a drawing in 'The March of Loyalty', Letitia MacClintock, 1884.
Source Firkin
To get the tile this is based on, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
Sharp pixel pattern looking like some sort of fabric.
Source Dmitry
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
Prismatic Abstract Geometric Background 4 No Black
Source GDJ
To get the tile this is based on, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
A seamless pattern from a tile drawn in Paint.net and vectorised in Vector Magic
Source Firkin
Can never have too many knitting patterns, especially as nice as this.
Source Victoria Spahn
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
Three shades of gray makes this pattern look like a small carbon fiber surface. Great readability even for small fonts.
Source Atle Mo
Seamless pattern formed from a tile that can be extracted by selecting the rectangle in Inkscape and using shift-alt-i.
Source Firkin
Oh yes, it happened! A pattern in full color.
Source Atle Mo
Inspired by a pattern I saw in a 19th century book. This seamless pattern was created from a square tile. To get the tile, select the pattern in Inkscape and use shift+alt+i.
Source Firkin
To get the tile this is based on select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
Bumps, highlight and shadows – all good things.
Source Badhon Ebrahim
Design drawn in Paint.net, vectorised using Vector Magic and finished in Inkscape.
Source Firkin
A seamless pattern formed from a square tile. The tile can be retrieved by selecting the rectangle in Inkscape and using shift-alt-I. Version with black background.
Source Firkin
The basic shapes never get old. Simple triangle pattern.
Source Atle Mo
Remixed from a drawing in 'Line and form', Walter Crane, 1914.
Source Firkin
Seamless pattern formed from a tile that can be had by selecting the rectangle in Inkscape and using shift-alt-i.
Source Firkin
If you don’t like cream and pixels, you’re in the wrong place.
Source Mizanur Rahman
From a drawing in 'Less Black than we're painted', James Payn, 1884.
Source Firkin