Fake or not, it’s quite luxurious.
Source Factorio.us Collective
Alternative colour scheme. Not a pattern for fabrics, but one produced from a jpg of a stack of fabric items that was posted on Pixabay. The tile that this is based on can be had by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
A nice one indeed, but I have a feeling we have it already? If you spot a copy, let me know on Twitter.
Source Graphiste
Prismatic Groovy Concentric Background 2
Source GDJ
A free seamless background texture of "timber wall" (colored in dark brown).
Source V. Hartikainen
Prismatic Basic Pattern 2 No Background
Source GDJ
The tile this is formed from can be retrieved in Inkscape by selecting the rectangle and using shift+alt+i
Source Firkin
Real snow that tiles, not easy. This is not perfect, but an attempt.
Source Atle Mo
Not a flat you live inside, like in the UK – but a flat piece of cardboard.
Source Appleshadow
From a drawing in 'The Quiver of Love', Walter Crane, 1876
Source Firkin
The unit cell for this seamless pattern can be had in Inkscape by selecting the rectangle and using shift+alt+i.
Source Firkin
A seamless pattern from a tile drawn in Paint.net and vectorised in Vector Magic
Source Firkin
White handmade paper pattern with small bumps.
Source Marquis
A seamless pattern the unit cell for which can be had by selecting the rectangle in Inkscape and using shift+alt+i
Source Firkin
Background formed from the iconic plastic construction bricks that gave me endless hours of fun when I was a lad.
Source Firkin
Vertical lines with a bumpy, yet crisp, feel to it.
Source Raasa
This seamless pattern consists of a blue grid on a yellow background.
Source V. Hartikainen
Dark, crisp and subtle. Tiny black lines on top of some noise.
Source Wilmotte Bastien
Remixed from a drawing in 'Kulturgeschichte der Deutschen im Mittelalter' Franz von Loeher, 1891. The unit tile can be had by selecting the rectangle in Inkscape and using shift-alt-i
Source Firkin
Adapted from a drawing in 'Line and form', Walter Crane, 1914.
Source Firkin
Crossing lines with a subtle emboss effect on a dark background.
Source Stefan Aleksić
Horizontal and vertical lines on a light gray background.
Source Adam Anlauf
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin