Alternative colour scheme. Not a pattern for fabrics, but one produced from a jpg of a stack of fabric items that was posted on Pixabay. The tile that this is based on can be had by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
Heavily remixed from a drawing in 'Barbara Leybourne; a story of eighty years ago', Sarah Hamer, 1889.
Source Firkin
Zero CC tileable bark texture, photographed and made by me. CC0
Source Sojan Janso
Prismatic Hypnotic Pattern No Background
Source GDJ
If you like it a bit trippy, this wave pattern might be for you.
Source Ian Soper
Remixed from a design seen in 'Burghley. The Life of William Cecil', William Charlton, 1857. The tile this is based on can be had by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
Background formed from the original with an emboss effect
Source GDJ
Luxury pattern, looking like it came right out of Paris.
Source Daniel Beaton
A seamless texture traced from an image on opengameart.org shared by Scouser.
Source Firkin
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
Zerro CC tillable texture of stones photographed and made by me. CC0
Source Sojan Janso
The following repeating website background is colored in a blue gray color and resembles a concrete wall or something similar to it.
Source V. Hartikainen
Pattern #100! A black classic knit-looking pattern.
Source Factorio.us Collective
A pattern drawn in Paint.net and vectorized in Vector Magic.
Source Firkin
A repeating background of beige (or is it more vanilla yellow) textured stripes. One more background with stripes.
Source V. Hartikainen
More Japanese-inspired patterns, Gold Scales this time.
Source Josh Green
A seamless background drawn in Paint.net and vectorised with Vector Magic. The starting point was a photograph of drinking straws from Pixabay.
Source Firkin
The square tile this is based on can be had by selecting the rectangle in Inkscape and using shift+alt+i
Source Firkin
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
Mostly just mucked about with the colours and made one of the paths in the lead frame opaque. The glass remains transparent.
Source Firkin
I love cream! 50x50px and lovely in all the good ways.
Source Thomas Myrman
Did some testing with Repper Pro tonight, and this gray mid-tone pattern came out.
Source Atle Mo