Cubes as far as your eyes can see. You know, because they tile.
Source Jan Meeus
A smooth mid-tone gray, or low contrast if you will, linen pattern.
Source Jordan Pittman
Remixed from a drawing in 'Sun Pictures of the Norfolk Broads', Ernest Suffling, 1892.
Source Firkin
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
Thin lines, noise and texture creates this crisp dark denim pattern.
Source Marco Slooten
Recreated from a pattern found in 'Az Osztrák-Magyar Monarchia irásban és képben', 1882. To get the tile this is based on select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
Adapted heavily from a JPG that was uploaded to Pixabay by Viscious-Speed.
Source Firkin
Zerro CC tillable texture of stones photographed and made by me. CC0
Source Sojan Janso
Formed by distorting the inside front cover of 'Diversæ insectarum volatilium : icones ad vivum accuratissmè depictæ per celeberrimum pictorem', Jacob Hoefnagel, 1630.
Source Firkin
A seamless paper background colored in pale yellow.
Source V. Hartikainen
Seamless , tileable CC-0 texture. Created by my own, feel free to use wherever you want!
Source Linolafett
Super simple but very nice indeed. Gray with vertical stripes.
Source Merrin Macleod
Based on an image that was uploaded to Pixabay by devanath
Source Firkin
This one is amazing, truly original. Go use it!
Source Viahorizon
Light gray version of the Binding pattern that looks a bit like fabric.
Source Newbury
Here's an yet another background for websites, with a seamless texture of wood planks this time.
Source V. Hartikainen
From a drawing in 'Hubert Montreuil, or the Huguenot and the Dragoon', Francisca Ouvry, 1873.
Source Firkin
One of the few full-color patterns here, but this one was just too good to pass up.
Source Alexey Usoltsev
Remixed from a design seen in 'Burghley. The Life of William Cecil', William Charlton, 1857.
Source Firkin
With a name this awesome, how can I go wrong?
Source Nikolay Boltachev
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
Can’t believe we don’t have this in the collection already! Slick woven pattern with crisp details.
Source Max Rudberg
From a drawing in 'The Quiver of Love', Walter Crane, 1876
Source Firkin
Little x’es, noise and all the stuff you like. Dark like a Monday, with a hint of blue.
Source Tom McArdle
From a drawing in 'From Snowdon to the Sea. Striking stories of North and South Wales', Marie Trevelyan, 1895.
Source Firkin