From a drawing in 'Studies for Stories', Jean Ingelow, 1864.
Source Firkin
Not the Rebel alliance, but a dark textured pattern.
Source Hendrik Lammers
Remixed from a drawing in 'Line and form', Walter Crane, 1914.
Source Firkin
And some more testing, this time with Seamless Studio. It’s Robots FFS!
Source Seamless Studio
The unit cell for this seamless pattern can be had in Inkscape by selecting the rectangle and using shift+alt+i.
Source Firkin
A seamless pattern formed from a square tile. The tile can be retrieved by selecting the rectangle in Inkscape and using shift-alt-i.
Source Firkin
Looks like a technical drawing board: small squares forming a nice grid.
Source We Are Pixel8
To get the tile this is based on, select the rectangle in Inkscape and use shift+alt+i
Source Firkin
Prismatic Abstract Geometric Background 4
Source GDJ
A large pattern with funky shapes and form. An original. Sort of origami-ish.
Source Luuk van Baars
A seamless pattern the unit cell for which can be had by selecting the rectangle in Inkscape and using shift+alt+i
Source Firkin
From a tile that can be had by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
Abstract Tiled Background Extended 8
Source GDJ
Prismatic Groovy Concentric Background 2 No Black
Source GDJ
Prismatic Curved Diamond Pattern 4 No Background
Source GDJ
A smooth mid-tone gray, or low contrast if you will, linen pattern.
Source Jordan Pittman
Remixed from a drawing in 'The March of Loyalty', Letitia MacClintock, 1884.
Source Firkin
All good things come in threes, so I give you the third in my little concrete wall series.
Source Atle Mo
Prismatic Snowflakes Pattern 3 No Background
Source GDJ
Zerro CC tillable texture of stones photographed and made by me. CC0
Source Sojan Janso
Remixed from a drawing in 'Hungary. A guide book. By several authors', 1890.
Source Firkin
Remixed from a drawing in 'Chambéry à la fin du XIVe siècle', Timoleon Chapperon, 1863.
Source Firkin
The tile this is based on can be had by selecting the rectangle in Inkscape and using shift+alt+i
Source Firkin