Sort of like the back of a wooden board. Light, subtle, and stylish, just the way we like it!
Source Nikolalek
I skipped number 3, because it wasn’t all that great. Sorry.
Source Dima Shiper
With a name like this, it has to be hot. Diagonal lines in light shades.
Source Isaac
This seamless pattern consists of a blue grid on a yellow background.
Source V. Hartikainen
A seamless pattern formed from a square tile. The tile can be retrieved by selecting the rectangle in Inkscape and using shift-alt-I.
Source Firkin
A seamless pattern based on a tile that can be achieved by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
The tile this is based on can be retrieved by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
Detailed but still subtle and quite original. Lovely gray shades.
Source Kim Ruddock
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
A light gray wall or floor (you decide) of concrete.
Source Atle Mo
Here's a dark background pattern that contains a steel grid pattern as a texture. Use it as a website background or for other purposes. It's free!
Source V. Hartikainen
Derived from an image that was uploaded to Pixabay by Kaz
Source Firkin
A seamless texture of a rough concrete surface.
Source V. Hartikainen
Colour version of the original pattern.
Source Firkin
To get the tile this is based on, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
A colourful background drawn originally in paint.net and vectorised in Vector Magic.
Source Firkin
He influenced us all. “Don’t be sad because it’s over. Smile because it happened.”
Source Atle Mo
The tile for this is based on a repeating unit close to a design on Pixabay. It can be had by selecting the rectangle in Inkscape and using shift-alt-i.
Source Firkin
Seamless pattern formed from a tile that can be had by selecting the rectangle in Inkscape and using shift-alt-i.
Source Firkin
Here's an yet another background for websites, with a seamless texture of wood planks this time.
Source V. Hartikainen
Embossed lines and squares with subtle highlights.
Source Alex Parker