More Textures
Retro Squares Background 4@2X #419
 Dark  CC 0

Retro Squares Background 4

Source GDJ

Background pattern 202 #2491
 Brown  CC 0

Based on several public domain drawings on Wikimedia Commons. This was formed from a rectangular tile. The tile can be accessed in Inkscape by selecting the rectangle and using shift-alt-i.

Source Firkin

Rough Cloth@2X #313
 Fabric  CC BY-SA 3.0

More tactile goodness. This time in the form of some rough cloth.

Source Bartosz Kaszubowski

Diagonal Noise #181
 Fabric  CC BY-SA 3.0

A simple but elegant classic. Every collection needs one of these.

Source Christopher Burton

Bright Multicolored Floral Background #559
 Noise  CC 0

Bright Multicolored Floral Background by Karen Arnold from PDP.

Source GDJ

Prismatic Pointers Background #388
 Noise  CC 0

Prismatic Pointers Background

Source GDJ

Carbon Fiber v2 #105
 Carbon  CC BY-SA 3.0

One more updated pattern. Not really carbon fiber, but it’s the most popular pattern, so I’ll give you an extra choice.

Source Atle Mo

Background pattern 314 (colour 3) #1837
 Green  CC 0

The square tile this is based on can be had by selecting the rectangle in Inkscape and using shift+alt+i

Source Firkin

Desert Camo Print #255
 Fabric  CC 0

Here's a camo print with more tan and less green, such as might be used in a desert scenario. This is tileable, so it can be used as a wallpaper or background.

Source Eady

Background pattern 238 (colour 2) #2228
 Green  CC 0

To get the tile this is based on, select the rectangle in Inkscape and use shift+alt+i.

Source Firkin

Background pattern 251 (colour 5) #2163
 Red  CC 0

To get the tile this is based on select the rectangle in Inkscape and use shift+alt+i.

Source Firkin

Prismatic Groovy Concentric Background 3 #457
 Noise  CC 0

Prismatic Groovy Concentric Background 3

Source GDJ

Floral Pattern Background 3 #218
 Noise  CC 0

PDP

Source GDJ

Background pattern 117@2X #525
 Noise  CC 0

A seamless pattern drawn originally in Paint.net by distorting a slice of background pattern 116 and copying the resulting triangle numerous times.

Source Firkin