From a drawing in 'Sun Pictures of the Norfolk Broads', Ernest Suffling, 1892.
Source Firkin
Prismatic Groovy Concentric Background 2 No Black
Source GDJ
Remixed from a drawing in 'Chambéry à la fin du XIVe siècle', Timoleon Chapperon, 1863.
Source Firkin
A pattern drawn in Paint.net and vectorized in Inkscape.
Source Firkin
Seamless pattern formed from a tile that can be had by selecting the rectangle in Inkscape and using shift-alt-i.
Source Firkin
Zerro CC tillable texture of stones photographed and made by me. CC0
Source Sojan Janso
Derived from a drawing in 'Historiske Afhandlinger', Adolf Jorgensen, 1898.
Source Firkin
The unit cell for this seamless pattern can be had in Inkscape by selecting the rectangle and using shift+alt+i.
Source Firkin
A seamless pattern the unit cell for which can be had by selecting the rectangle in Inkscape and using shift+alt+i
Source Firkin
Used the 6th circle pattern designed by Viscious-Speed to create a print that can be used for card making or scrapbooking. Save as a PDF file for the best printing option.
Source Lovinglf
Prismatic Abstract Geometric Background 4 No Black
Source GDJ
I have no idea how to describe this one, but it’s light and delicate.
Source JBasoo
Same as gray sand but lighter. A sandy pattern with small light dots, and some angled strokes.
Source Atle Mo
Design drawn in Paint.net, vectorised using Vector Magic and finished in Inkscape.
Source Firkin
A monochrome pattern from a tile that can be had by selecting the rectangle in Inkscaope and using shift+alt+i
Source Firkin
This metal background pattern resembles a metal plate with rivets. Solid rivets on a metal plate.
Source V. Hartikainen
From a tile that can be had by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
If you want png files of this u can download them here : viscious-speed.deviantart.com/gallery/27635117
Source Viscious-Speed
Made by distorting a simple pattern using the 'sin waves' plugin for Paint.net and vectorising in Vector Magic
Source Firkin
I took the liberty of using Dmitry’s pattern and made a version without perforation.
Source Atle Mo
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin