Derived from a drawing in 'Historiske Afhandlinger', Adolf Jorgensen, 1898.
Source Firkin
Real snow that tiles, not easy. This is not perfect, but an attempt.
Source Atle Mo
A background formed from an image of an old tile on the New York Metropolitan Museum of Art website. To get the base tile, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
A seamless pattern from a tile drawn in Paint.net and vectorised in Vector Magic
Source Firkin
Prismatic Floral Background No Black
Source GDJ
Seamless pattern formed from a tile that can be extracted by selecting the rectangle in Inkscape and using shift-alt-i.
Source Firkin
From a drawing in 'The Quiver of Love', Walter Crane, 1876
Source Firkin
Colour version of a pattern that came out of playing with the 'light rays' plug-in for Paint.net
Source Firkin
Formed by distorting the inside front cover of 'Diversæ insectarum volatilium : icones ad vivum accuratissmè depictæ per celeberrimum pictorem', Jacob Hoefnagel, 1630.
Source Firkin
Zero CC tileable moss or lichen covered stone texture, edited from pixabay. CC0
Source Sojan Janso
A seamless pattern formed from a tile that can be had in Inkscape by selecting the rectangle and using shift+alt+i.
Source Firkin
From a design in 'Storia del Palazzo Vecchio in Firenze', Aurelio Gotti, 1889.
Source Firkin
This is the remix of "polka dot seamless pattern".The image depicts polka dot seamless pattern.
Source Yamachem
Abstract Ellipses Background Grayscale
Source GDJ
A nice looking light gray background pattern with diagonal stripes.
Source V. Hartikainen
To get the tile this is based on, select the rectangle in Inkscape and use shift+alt+i
Source Firkin
The unit cell for this seamless pattern can be had in Inkscape by selecting the rectangle and using shift+alt+i.
Source Firkin
From a drawing in 'Cassell's Library of English Literature', Henry Morley, 1883.
Source Firkin
A seamless pattern formed from cross 4. To get the original tile select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
Mostly just mucked about with the colours and made one of the paths in the lead frame opaque. The glass remains transparent.
Source Firkin