Inspired by a drawing in 'Kulturgeschichte', Freidrich Hellwald, 1896.
Source Firkin
From a tile that can be had by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
Heavy depth and shadows here, but might work well on some mobile apps.
Source Damian Rivas
Vector version of a png that was uploaded to Pixabay by pencilparker
Source Firkin
Pattern formed from simple shapes. Black version.
Source Firkin
ZeroCC tileable stone texture, edited from pixabay. CC0
Source Sojan Janso
This is the third pattern called Dark Denim, but hey, we all love them!
Source Brandon Jacoby
Everyone needs some stardust. Sprinkle it on your next project.
Source Atle Mo
It has waves, so make sure you don’t get sea sickness.
Source CoolPatterns
The tile this is based on can be retrieved by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
Same as gray sand but lighter. A sandy pattern with small light dots, and some angled strokes.
Source Atle Mo
Prismatic Hexagonalist Pattern No Background
Source GDJ
Remixed from a drawing in 'The Canadian horticulturist', 1892
Source Firkin
Prismatic Basic Pattern 2 No Background
Source GDJ
Nicely executed tiling for an interesting pattern.
Source Ignasi Àvila Padró
This pack of filters can help you adding a blocky overlay to objects. May come handy at drawing blocks of stone.
Source Lazur URH
Derived from a JPG that was uploaded to Pixabay by ractapopulous
Source Firkin
A light brushed aluminum pattern for your pleasure.
Source Tim Ward
One week and it's Easter already. Thought I would revisit the decorated egg contest at inkscape community: http://forum.inkscapecommunity.com/index.php?topic=118.0
Source Lazur URH
A seamless texture of worn out "cardboard".
Source V. Hartikainen
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
A seamless pattern formed from a tile that can be had in Inkscape by selecting the rectangle and using shift+alt+i. Derived from a design in 'Storia del Palazzo Vecchio in Firenze', Aurelio Gotti, 1889.
Source Firkin
From a drawing in 'From Snowdon to the Sea. Striking stories of North and South Wales', Marie Trevelyan, 1895.
Source Firkin
Mostly just mucked about with the colours and made one of the paths in the lead frame opaque. The glass remains transparent.
Source Firkin