Here's an yet another seamless note paper texture for use as a background on websites.
Source V. Hartikainen
Number 2 in a series of 5 beautiful patterns. Can be found in colors on the submitter’s website.
Source Janos Koos
From a drawing in 'Uit de geschiedenis der Heilige Stede te Amsterdam', Yohannes Sterck, 1898.
Source Firkin
You can never get enough of these tiny pixel patterns with sharp lines.
Source Designova
More tactile goodness. This time in the form of some rough cloth.
Source Bartosz Kaszubowski
Sharp diamond pattern. A small 24x18px tile.
Source Tom Neal
A grid of squares with green colours. Since the colours are randomly distributed it is automatically seamless.
Source Firkin
Tweed is back in style – you heard it here first. Also, the @2X version here is great!
Source Simon Leo
Thin lines, noise and texture creates this crisp dark denim pattern.
Source Marco Slooten
Utilising a bird from s-light and some flowers from Almeidah. To get the unit tile, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
Pixel by pixel, sharp and clean. Very light pattern with clear lines.
Source M.Ashok
I have no idea what J Boo means by this name, but hey – it’s hot.
Source j Boo
A cute x, if you need that sort of thing.
Source Juan Scrocchi
Simple combination of stripy squares with their negatively coloured counterparts
Source Firkin
It was called Navy Blue, but I made it dark. You know, the way I like it.
Source Ethan Hamilton
A seamless pattern recreated from an image on Pixabay. It is reminiscent of parquet flooring and is formed from a square tile, which can be recovered in Inkscape by selecting the ungrouped rectangle and using shift-alt-I together.
Source Firkin
Could be paper, could be a Polaroid frame – up to you!
Source Chaos
You know I love paper patterns. Here is one from Stephen. Say thank you!
Source Stephen Gilbert
Heavily remixed from a drawing in 'Barbara Leybourne; a story of eighty years ago', Sarah Hamer, 1889.
Source Firkin
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin