From a drawing in 'Two Women in the Klondike', Mary Hitchcock, 1899.
Source Firkin
A simple bump filter made upon request at irc #inkscape at freenode. Made a screen capture of the making here: https://youtu.be/TGAWYKVLxQw
Source Lazur URH
Some rectangles, a bit of dust and grunge, plus a hint of concrete.
Source Atle Mo
Dark and hard, just the way we like it. Embossed triangles makes a nice pattern.
Source Ivan Ginev
Prismatic Geometric Tessellation Pattern 4 No Background
Source GDJ
The classic subtle pattern. Sort of wall/brick looking. Or moon-looking?
Source Joel Klein
A background pattern inspired by designs seen in 'Burghley. The Life of William Cecil', William Charlton, 1857.
Source Firkin
A seamless pattern the starting point for which was a 'rainbow twist' texture in Paint.net.
Source Firkin
Medium gray fabric pattern with 45-degree lines going across.
Source Atle Mo
Kaleidoscope Prismatic Abstract No Background
Source GDJ
No relation to the band, but damn it’s subtle!
Source Thomas Myrman
CC0 and a seamless pattern from a tile drawn in Paint.net .
Source SliverKnight
From a drawing in 'Heroes of North African Discovery', Nancy Meugens, 1894.
Source Firkin
A large (588x375px) sand-colored pattern for your ever-growing collection. Shrink at will.
Source Alex Tapein
A seamless pattern formed from a rectangular tile. The tile can be retrieved by selecting the rectangle in Inkscape and using shift-alt-i.
Source Firkin
This yellow background consists of a pattern of glossy gold buttons arranged in polka dot style on a seamless texture. Here's a pale yellow background pattern. Feel free to use it for your needs!
Source V. Hartikainen
Fix and cc0 to get the tile this is based on.
Source SliverKnight
Zero CC tileable Laminate wood texture, photographed and made by me. CC0
Source Sojan Janso
The square tile this is based on can be had by selecting the rectangle in Inkscape and using shift+alt+i
Source Firkin
Inspired by a drawing in 'Kulturgeschichte', Freidrich Hellwald, 1896.
Source Firkin
From a drawing in 'Line and form', Walter Crane, 1914.
Source Firkin