From a drawing in 'Two Women in the Klondike', Mary Hitchcock, 1899.
Source Firkin
Zerro CC tillable texture of stones photographed and made by me. CC0
Source Sojan Janso
It’s big, it’s gradient—and it’s square.
Source Brankic1979
Prismatic Geometric Tessellation Pattern 2 No Background
Source GDJ
A seamless pattern created from a square tile. To get the tile, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
To get the tile this is made up from select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
Remixed from a drawing in 'Sun Pictures of the Norfolk Broads', Ernest Suffling, 1892.
Source Firkin
To get the tile this is based on select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
From a drawing in 'Artists and Arabs', Henry Blackburn, 1868
Source Firkin
Lovely pattern with splattered vintage speckles.
Source David Pomfret
Prismatic Polyskelion Pattern No Background
Source GDJ
If you want png files of this u can download them here : viscious-speed.deviantart.com/gallery/27635117
Source Viscious-Speed
From a drawing in 'Line and form', Walter Crane, 1914.
Source Firkin
So tiny, just 7 by 7 pixels – but still so sexy. Ah yes.
Source Dmitriy Prodchenko
High detail stone wall with minor cracks and specks.
Source Projecteightyfive
Remixed from a raster on Pixabay, that was uploaded by ArtsyBee.
Source Firkin
From a drawing in 'At home', J. Sowerby, J. Crane and T. Frederick, 1881.
Source Firkin
I guess this is inspired by the city of Ravenna in Italy and its stone walls.
Source Sentel
Remixed from a drawing that was uploaded to Pixabay by DavidZydd
Source Firkin
From a drawing in 'Royal Ramsgate', James Simson, 1897.
Source Firkin
Lovely pattern with some good-looking non-random noise lines.
Source Zucx
A seamless pattern formed from a modified version of rwwgub's tile. To get the tile, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
Adapted heavily from a JPG that was uploaded to Pixabay by Viscious-Speed.
Source Firkin
White circles connecting on a light gray background.
Source Mark Collins