More Textures
Cross pattern #2333
 Dark  CC 0

A seamless pattern formed from cross 4. To get the original tile select the rectangle in Inkscape and use shift-alt-i.

Source Firkin

Background pattern 220 #2360
 Dark  CC 0

A seamless pattern formed from a tile that can be had in Inkscape by selecting the rectangle and using shift+alt+i. Derived from a design in 'Storia del Palazzo Vecchio in Firenze', Aurelio Gotti, 1889.

Source Firkin

Vintage pattern #1958
 Grid  CC 0

Formed from a tile based on a drawing from 'Viaggi d'un artista nell'America Meridionale', Guido Boggiani, 1895.

Source Firkin

Vichy@2X #72
 Light  CC BY-SA 3.0

This one could be the shirt of a golf player. Angled lines in different thicknesses.

Source Olivier Pineda

Floral design 100 (version 2, colour) #1772
 Green  CC 0

From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.

Source Firkin

Background pattern 41 #262
 Fabric  CC 0

A seamless pattern the starting point for which was a 'light rays' rendering in Paint.net.

Source Firkin

lotus crane #2499
 Concrete  CC 0

The image depicts a seamless pattern of the design which includes a stylized lotus and a stylized crane.I referred to the original image in a book which is into public domain.

Source Yamachem

Background pattern 208 (colour 2) #2462
 Grid  CC 0

A seamless pattern created from a square tile. To get the tile, select the rectangle in Inkscape and use shift+alt+i.

Source Firkin

Faded Yellow Stripes, Background Pattern #1218
 Yellow  CC BY-SA 3.0

A pale yellow background pattern with vertical stripes. The stripes are partially faded. I think this background image turned out pretty well, especially those faded stripes.

Source V. Hartikainen

Part of Bayeux Tapestry 1 #2452
 Noise  CC 0

From a drawing in 'Les Chroniqueurs de l'Histoire de France depuis les origines jusqu'au XVIe siècle', Henriette Witt, 1884.

Source Firkin

Background pattern 232 #2297
 Dark  CC 0

Heavily remixed from a drawing in 'Barbara Leybourne; a story of eighty years ago', Sarah Hamer, 1889.

Source Firkin