From a drawing in 'A Life Interest', Mrs Alexander, 1888.
Source Firkin
Formed from a tile based on a drawing from 'Viaggi d'un artista nell'America Meridionale', Guido Boggiani, 1895.
Source Firkin
Here's a repeatable texture that resembles a light green concrete wall or something similar.
Source V. Hartikainen
From a drawing in 'At home', J. Sowerby, J. Crane and T. Frederick, 1881.
Source Firkin
Fabric-ish patterns are close to my heart. French Stucco to the rescue.
Source Christopher Buecheler
Alternative colour scheme. Not a pattern for fabrics, but one produced from a jpg of a stack of fabric items that was posted on Pixabay. The tile that this is based on can be had by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
Inspired by the B&O Play, I had to make this pattern.
Source Atle Mo
This is a remix of "flower seamless pattern".I rotated the original image by 90 degrees.This is a seamless pattern of flowers.These horizontal wavy lines are one of Edo patterns which is called "tatewaku or tachiwaku or 立湧" that represents uprising steam or vapor.
Source Yamachem
A dark metallic background with a pattern of stamped dots. Here's a dark "metallic" background pattern for you.
Source V. Hartikainen
Square design drawn in Paint.net and vectorized in Vector Magic.
Source Firkin
Lovely pattern with some good-looking non-random noise lines.
Source Zucx
This one is super crisp at 2X. Lined paper with some dust and scratches.
Source HQvectors
ZeroCC tileable moss texture, photographed and made by me. CC0
Source Sojan Janso
It looks very nice I think.
Source V. Hartikainen
Imagine you zoomed in 1000X on some fabric. But then it turned out to be a skeleton!
Source Angelica
From a drawing in 'Line and form', Walter Crane, 1914.
Source Firkin
Horizontal and vertical lines on a light gray background.
Source Adam Anlauf
I love the movie Pineapple Express, and I’m also liking this Pineapple right here.
Source Audee Mirza
The tile this is formed from can be retrieved in Inkscape by selecting the rectangle and using shift+alt+i
Source Firkin