You were craving more leather, so I whipped this up by scanning a leather jacket.
Source Atle Mo
A seamless pattern formed from a square tile. To get the tile, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
Alternative colour scheme. Not a pattern for fabrics, but one produced from a jpg of a stack of fabric items that was posted on Pixabay. The tile that this is based on can be had by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
This was formed by distorting an image of a background on Pixabay.
Source Firkin
Luxury pattern, looking like it came right out of Paris.
Source Daniel Beaton
Submitted in a cream color, but you know how I like it.
Source Devin Holmes
A seamless pattern based on a square tile that can be retrieved in Inkscape by selecting the rectangle and using shift-alt-i.
Source Firkin
A green background pattern with warped vertical stripes and a grunge look.
Source V. Hartikainen
From a design in 'Storia del Palazzo Vecchio in Firenze', Aurelio Gotti, 1889.
Source Firkin
Luxurious looking pattern (for a T-shirt maybe?) with a hint of green.
Source Simon Meek
More leather, and this time it’s bigger! You know, in case you need that.
Source Elemis
Here is a new seamless wood texture for using as blog or website backgrounds.
Source V. Hartikainen
From a drawing in 'In an Enchanted Island', William Mallock, 1892.
Source Firkin
The tile this is based on can be retrieved by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
Prismatic Abstract Line Art Pattern Background 2
Source GDJ
Actually remixed from a pattern on Pixabay. But then noticed a very similar one on Openclipart.org uploaded by btj51q2.
Source Firkin
To get the tile this is based on, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
If you want png files of this u can download them here : viscious-speed.deviantart.com/gallery/27635117
Source Viscious-Speed
Design drawn in Paint.net, vectorised using Vector Magic and finished in Inkscape.
Source Firkin
From a drawing in 'Line and form', Walter Crane, 1914.
Source Firkin