A seamless background pattern of dark brown wood planks.
Source V. Hartikainen
I know there is one here already, but this is sexy!
Source Gjermund Gustavsen
This is a hot one. Small, sharp and unique.
Source GraphicsWall
Derived from an image that was uploaded to Pixabay by pugmom40
Source Firkin
Colour version of the original pattern inspired by the front cover of 'Old and New Paris', Henry Edwards, 1894.
Source Firkin
Some dark 45 degree angles creating a nice pattern. Huge.
Source Dark Sharp Edges
Submitted as a black pattern, I made it light and a few steps more subtle.
Source Andy
A fun-looking elastoplast/band-aid pattern. A hint of orange tone in this one.
Source Josh Green
Prismatic Geometric Pattern Background
Source GDJ
The tile this is formed from can be retrieved in Inkscape by selecting the rectangle and using shift+alt+i
Source Firkin
A pattern derived from repeating unit cells each derived from part of a fractal rendering in paint.net.
Source Firkin
Luxurious looking pattern (for a T-shirt maybe?) with a hint of green.
Source Simon Meek
From a drawing in 'Gately's World's Progress', Charles Beale, 1886.
Source Firkin
This is a more minute version of "fishnet 01".The image depicts a seamless pattern of a fishnet with a plenty of fish.It may be a lucky charm for fishermen.
Source Yamachem
A background formed from an image of an old tile on the New York Metropolitan Museum of Art website. To get the base tile, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
Different from the original in being a simple tile stored as a pattern definition, rather than numerous repeated objects. Hence easy and quick to give this pattern to objects of different shapes. To get the tile in Inkscape, select the rectangle and use shift+alt+i.
Source Firkin
A seamless pattern from a tile drawn in Paint.net and vectorised in Vector Magic
Source Firkin
Abstract Tiled Background Extended 10
Source GDJ
You know I love paper patterns. Here is one from Stephen. Say thank you!
Source Stephen Gilbert
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
More tactile goodness. This time in the form of some rough cloth.
Source Bartosz Kaszubowski