A seamless striped fabric-like texture colored in a dark reddish brown color.
Source V. Hartikainen
Like the name says, light and gray, with some small dots and circles.
Source Brenda Lay
Greyscale version of a pattern that came out of playing with the 'light rays' plug-in for Paint.net
Source Firkin
Design drawn in Paint.net, vectorised using Vector Magic and finished in Inkscape.
Source Firkin
Derived from elements found in a floral ornament drawing on Pixabay.
Source Firkin
From a drawing in 'From Snowdon to the Sea. Striking stories of North and South Wales', Marie Trevelyan, 1895.
Source Firkin
The act or state of corrugating or of being corrugated, a wrinkle; fold; furrow; ridge.
Source Anna Litvinuk
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
A seamless chequerboard pattern formed from a tile that can be had in Inkscape by selecting the rectangle and using shift+alt+i. Alternative colour scheme.
Source Firkin
Vector version of a png that was uploaded to Pixabay by pencilparker
Source Firkin
A web texture of brown canvas. Will look great, when used in dark web designs.
Source V. Hartikainen
Can never have too many knitting patterns, especially as nice as this.
Source Victoria Spahn
More carbon fiber for your collections. This time in white or semi-dark gray.
Source Badhon Ebrahim
This is a remix of "blue wave-seigaiha".I hope this subtle color version of Seigaiha would be suitable for background .
Source Yamachem
A light gray fabric pattern with faded vertical stripes.
Source V. Hartikainen
A seamless texture traced from an image on opengameart.org shared by Scouser.
Source Firkin
A bit of scratched up grayness. Always good.
Source Dmitry
Farmer could be some sort of fabric pattern, with a hint of green.
Source Fabian Schultz
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
Just what the name says, paper fibers. Always good to have.
Source Heliodor jalba
Paper pattern with small dust particles and 45-degree strokes.
Source Atle Mo
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
With a name this awesome, how can I go wrong?
Source Nikolay Boltachev
Used in small doses, this could be a nice subtle pattern. Used on a large surface, it’s dirty!
Source Paul Reulat