A cute x, if you need that sort of thing.
Source Juan Scrocchi
Semi-light fabric pattern made out of random pixels in shades of gray.
Source Atle Mo
These dots are already worn for you, so you don’t have to.
Source Matt McDaniel
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
This is the remix of an Openclipart clipart called "Maze" uploaded by "any_ono_mous".Thanks.This is a seamless pattern of a maze.
Source Yamachem
Not even 1kb, but very stylish. Gray thin lines.
Source Struck Axiom
Dark Tile-able Grunge Texture. I think this texture can be classified as grunge. It's free and seamless, as always.
Source V. Hartikainen
From a tile that can be had by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
This seamless background image should look nice on websites. It has a dark blue gray texture with vertical stripes, it tiles seamlessly and, like all of the background images here, it's free. So, if you like it, take it!
Source V. Hartikainen
A repeating background with wood/straw like texture.
Source V. Hartikainen
Zerro CC tillable texture of stones photographed and made by me. CC0
Source Sojan Janso
This is the remix of "Colorful Floral Pattern Background 3" uploaded by "GDJ". Thanks.
Source Yamachem
Dead simple but beautiful horizontal line pattern.
Source Fabian Schultz
Remixed from a raster on Pixabay, that was uploaded by ArtsyBee.
Source Firkin
You know I love paper patterns. Here is one from Stephen. Say thank you!
Source Stephen Gilbert
Never out of fashion and so much hotter than the 45º everyone knows, here is a sweet 60º line pattern.
Source Atle Mo
I love cream! 50x50px and lovely in all the good ways.
Source Thomas Myrman
Another fairly simple design drawn in Paint.net and vectorized in Inkscape.
Source Firkin
With a name this awesome, how can I go wrong?
Source Nikolay Boltachev
A fun-looking elastoplast/band-aid pattern. A hint of orange tone in this one.
Source Josh Green
Remixed from a drawing in 'Maidenhood; or, the Verge of the Stream', Laura Jewry, 1876.
Source Firkin