Prismatic Isometric Cube Extra Pattern No Background
Source GDJ
There are quite a few grid patterns, but this one is a super tiny grid with some dust for good measure.
Source Dominik Kiss
If you want png files of thisu can download them here :
Source Viscious-Speed
Number 2 in a series of 5 beautiful patterns. Can be found in colors on the submitter’s website.
Source Janos Koos
Derived from an image that was uploaded to Pixabay by Kaz
Source Firkin
To get the tile this is based on select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
A colourful background drawn originally in paint.net and vectorised in Vector Magic.
Source Firkin
Prismatic Rounded Squares Grid 3 No Background
Source GDJ
Alternative colour scheme. Not a pattern for fabrics, but one produced from a jpg of a stack of fabric items that was posted on Pixabay. The tile that this is based on can be had by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
The rectangular tile this is based on can be had by selecting the rectangle in Inkscape and using shift+alt+i
Source Firkin
Old China with a modern twist, take two.
Source Adam Charlts
Background Wall, Art Abstract, Block Well & CC0 texture.
Source Ractapopulous
A repeating background for websites with a texture of black groove stripes.
Source V. Hartikainen
A bit like smudged paint or some sort of steel, here is scribble light.
Source Tegan Male
A seamless pattern formed from a square tile. To get the tile, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
Remixed from a drawing in 'Chambéry à la fin du XIVe siècle', Timoleon Chapperon, 1863.
Source Firkin
Not a flat you live inside, like in the UK – but a flat piece of cardboard.
Source Appleshadow
From a tile that can be had by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
A seamless chequerboard pattern formed from a tile that can be had in Inkscape by selecting the rectangle and using shift+alt+i.
Source Firkin
This is lovely, just the right amount of subtle noise, lines and textures.
Source Richard Tabor