Subtle scratches on a light gray background.
Source Andrey Ovcharov
Heavily remixed from a drawing in 'Barbara Leybourne; a story of eighty years ago', Sarah Hamer, 1889.
Source Firkin
A version without colours blended together to give a different look.
Source Firkin
Subtle scratches on a light gray background.
Source Andrey Ovcharov
To get the tile this is based on, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
Inspired by a drawing in 'Poems', James Smith, 1881.
Source Firkin
From a drawing in 'The Quiver of Love', Walter Crane, 1876
Source Firkin
Utilising some flowers from Almeidah. To get the unit tile, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
To get the tile this is based on, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
If you don’t like cream and pixels, you’re in the wrong place.
Source Mizanur Rahman
Embossed lines and squares with subtle highlights.
Source Alex Parker
From a drawing in 'At home', J. Sowerby, J. Crane and T. Frederick, 1881.
Source Firkin
From a drawing in 'Line and form', Walter Crane, 1914.
Source Firkin
This could be a hippy vintage wallpaper.
Source Tileable Patterns
Sounds like something from World of Warcraft. Has to be good.
Source Tony Kinard
Have you wondered about how it feels to be buried alive? Here is the pattern for it.
Source Hendrik Lammers
A seamless dark leather-like background texture with diagonal lines that look like stitches.
Source V. Hartikainen
A free seamless background texture of "timber wall" (colored in dark brown).
Source V. Hartikainen
From a drawing in 'In an Enchanted Island', William Mallock, 1892.
Source Firkin
Colour version of the original pattern inspired by the front cover of 'Old and New Paris', Henry Edwards, 1894.
Source Firkin
To get the tile this is based on, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
Fake or not, it’s quite luxurious.
Source Factorio.us Collective