Dark pattern with some nice diagonal stitched lines crossing over.
Source Ashton
Bright gray tones with a hint of some metal surface.
Source Hendrik Lammers
Background Wall, Art Abstract, Block Well & CC0 texture.
Source Ractapopulous
Some rectangles, a bit of dust and grunge, plus a hint of concrete.
Source Atle Mo
Made by distorting a simple pattern using the 'sin waves' plugin for Paint.net and vectorising in Vector Magic
Source Firkin
Hey, you never know when you’ll need a bird pattern, right?
Source Pete Fecteau
From a drawing in 'Prose and Verse ', William Linton, 1836.
Source Firkin
Crossing lines with a subtle emboss effect on a dark background.
Source Stefan Aleksić
A seamless pattern formed from a square tile. The tile can be retrieved by selecting the rectangle in Inkscape and using shift-alt-I. A version of the original with random colors.
Source Firkin
Prismatic Geometric Tessellation Pattern 4 No Background
Source GDJ
A seamless chequerboard pattern formed from a tile that can be had in Inkscape by selecting the rectangle and using shift+alt+i. Alternative colour scheme.
Source Firkin
Neat little photography icon pattern.
Source Hossam Elbialy
To get the tile this is based on select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
Sort of reminds me of those old house wallpapers.
Source Tish
The unit cell for this seamless pattern can be had in Inkscape by selecting the rectangle and using shift+alt+i.
Source Firkin
Zero CC tileable Laminate wood texture, photographed and made by me. CC0
Source Sojan Janso
From a drawing in 'Sun Pictures of the Norfolk Broads', Ernest Suffling, 1892.
Source Firkin
From a drawing in 'Cowdray: the history of a great English House', Julia Roundell, 1884.
Source Firkin
Lovely light gray floral motif with some subtle shades.
Source GraphicsWall
Tiny little fibers making a soft and sweet look.
Source Badhon Ebrahim
Very simple, very blu(e). Subtle and nice.
Source Seb Jachec
Super detailed 16×16 tile that forms a beautiful pattern of straws.
Source Pavel
Adapted from a drawing in 'Line and form', Walter Crane, 1914.
Source Firkin