If you don’t like cream and pixels, you’re in the wrong place.
Source Mizanur Rahman
Zerro CC tillable texture of stones photographed and made by me. CC0
Source Sojan Janso
Remixed from a drawing in 'Sun Pictures of the Norfolk Broads', Ernest Suffling, 1892.
Source Firkin
Continuing the geometric trend, here is one more.
Source Mike Warner
Not the most creative name, but it’s a good all-purpose light background.
Source Dmitry
A subtle shadowed checkered pattern. Increase the lightness for even more subtle sexiness.
Source Josh Green
From a drawing in 'Artists and Arabs', Henry Blackburn, 1868
Source Firkin
An alternative colour scheme to the original seamless pattern.
Source Firkin
Prismatic Curved Diamond Pattern 3 No Background
Source GDJ
Prismatic Groovy Concentric Background 2 No Black
Source GDJ
This one takes you back to math class. Classic mathematic board underlay.
Source Josh Green
To get the tile this is based on select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
Zerro CC tillable texture of stones photographed and made by me. CC0
Source Sojan Janso
The act or state of corrugating or of being corrugated, a wrinkle; fold; furrow; ridge.
Source Anna Litvinuk
Seamless Prismatic Quadrilateral Line Art Pattern No Background
Source GDJ
This is so subtle I hope you can see it! Tweak at will.
Source Alexandre Naud
A seamless pattern formed from a square tile. The tile can be retrieved by selecting the rectangle in Inkscape and using shift-alt-I. A version of the original with random colors.
Source Firkin
More leather, and this time it’s bigger! You know, in case you need that.
Source Elemis
A dark striped seamless pattern suitable for use as a background on websites.
Source V. Hartikainen
Zero CC plastic pattern texture, photographed and made by me. CC0 *Note, this texture was on the perfectly smooth surface of a plastic shovel scraper, not sure how to call it. Plz coment if you know what its called.
Source Sojan Janso
From a drawing in 'Bond Slaves. The story of a struggle.', Isabella Varley, 1893.
Source Firkin
After 1 comes 2, same but different. You get the idea.
Source Hendrik Lammers