If you don’t like cream and pixels, you’re in the wrong place.
Source Mizanur Rahman
Prismatic Polka Dots 3 No Background
Source GDJ
Drawn in Paint.net and vectorised in Vector Magic.
Source Firkin
Based on several public domain drawings on Wikimedia Commons. This was formed from a rectangular tile. The tile can be accessed in Inkscape by selecting the rectangle and using shift-alt-i.
Source Firkin
I skipped number 3, because it wasn’t all that great. Sorry.
Source Dima Shiper
The unit cell for this seamless pattern can be had in Inkscape by selecting the rectangle and using shift+alt+i.
Source Firkin
High detail stone wall with minor cracks and specks.
Source Projecteightyfive
More in the paper realm, this time with fibers.
Source Jorge Fuentes
This one takes you back to math class. Classic mathematic board underlay.
Source Josh Green
Nasty or not, it’s a nice pattern that tiles. Like they all do.
Source Badhon Ebrahim
From a drawing in 'Sun Pictures of the Norfolk Broads', Ernest Suffling, 1892.
Source Firkin
Clean and crisp lines all over the place. Wrap it up with this one.
Source Dax Kieran
This background pattern contains a texture of yellow wood planks. I think it looks quite original.
Source V. Hartikainen
The classic subtle pattern. Sort of wall/brick looking. Or moon-looking?
Source Joel Klein
The image depicts a seamless pattern made using a bird's face.
Source Yamachem
Zerro CC tillable texture of stones photographed and made by me. CC0
Source Sojan Janso
Alternative colour scheme for the original floral pattern.
Source Firkin
From a drawing in 'Resa i Afrika, genom Angola, Ovampo och Damaraland', P. Moller, 1899.
Source Firkin
To get the tile this is based on, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
Formed by heavily distorting part of a an image of a fish uploaded to Pixabay by GLady
Source Firkin
Zerro CC tillable texture of stones photographed and made by me. CC0
Source Sojan Janso
Seamless pattern formed from a tile that can be had by selecting the rectangle in Inkscape and using shift-alt-i.
Source Firkin