I love cream! 50x50px and lovely in all the good ways.
Source Thomas Myrman
Alternative colour scheme. Not a pattern for fabrics, but one produced from a jpg of a stack of fabric items that was posted on Pixabay. The tile that this is based on can be had by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
A seamless pattern created from a square tile. To get the tile, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
Zero CC tileable cork floor, photographed and made by me. CC0
Source Sojan Janso
More tactile goodness. This time in the form of some rough cloth.
Source Bartosz Kaszubowski
From a drawing in 'Codogno e il suo territorio nella cronaca e nella storia'', Gio and Giarella Cairo, 1897.
Source Firkin
The unit cell for this seamless pattern can be had in Inkscape by selecting the rectangle and using shift+alt+i.
Source Firkin
A new one called white wall, not by me this time.
Source Yuji Honzawa
You know you can’t get enough of these linen-fabric-y patterns.
Source James Basoo
From a drawing in 'Chambéry à la fin du XIVe siècle', Timoleon Chapperon, 1863.
Source Firkin
It’s big, it’s gradient—and it’s square.
Source Brankic1979
Sharp diamond pattern. A small 24x18px tile.
Source Tom Neal
Wild Oliva or Oliva Wilde? Darker than the others, sort of a medium dark pattern.
Source Badhon Ebrahim
Seamless pattern formed from a tile that can be had by selecting the rectangle in Inkscape and using shift+alt+i
Source Firkin
Prismatic Rounded Squares Grid 4 No Background
Source GDJ
From a design found in 'History of the Virginia Company of London; with letters to and from the first Colony, never before printed', Edward Neill, 1869.
Source Firkin
Zerro CC tillable texture of stones photographed and made by me. CC0
Source Sojan Janso
Inspired by a drawing in 'Kulturgeschichte', Freidrich Hellwald, 1896.
Source Firkin
Remixed from a drawing in 'Sun Pictures of the Norfolk Broads', Ernest Suffling, 1892.
Source Firkin
The Grid. A digital frontier. I tried to picture clusters of information as they traveled through the computer.
Source Haris Šumić