Lovely pattern with some good-looking non-random noise lines.
Source Zucx
A seamless pattern formed from background pattern 102
Source Firkin
Detailed but still subtle and quite original. Lovely gray shades.
Source Kim Ruddock
Element of beach pattern with background.
Source Rones
ZeroCC tileable stone texture, edited from pixabay. CC0
Source Sojan Janso
This is so subtle: We’re talking 1% opacity. Get your squint on!
Source Atle Mo
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
The classic notebook paper with horizontal stripes.
Source Are Sundnes
Remixed from a drawing in 'Line and form', Walter Crane, 1914.
Source Firkin
This is so subtle I hope you can see it! Tweak at will.
Source Alexandre Naud
Did some testing with Repper Pro tonight, and this gray mid-tone pattern came out.
Source Atle Mo
The starting point for this was a texture drawn with the 'Radial Colors' plug-in in Paint.net.
Source Firkin
Got some felt in my mailbox today, so I scanned it for you to use.
Source Atle Mo
A pattern derived from repeating unit cells each derived from part of a fractal rendering in paint.net.
Source Firkin
Zerro CC tillable texture of stones photographed and made by me. CC0
Source Sojan Janso
I asked Gjermund if he could make a pattern for us – result!
Source Gjermund Gustavsen
From a drawing in 'Bond Slaves. The story of a struggle.', Isabella Varley, 1893.
Source Firkin
A seamless chequerboard pattern formed from a tile that can be had in Inkscape by selecting the rectangle and using shift+alt+i. Alternative colour scheme.
Source Firkin
From a drawing in 'Cowdray: the history of a great English House', Julia Roundell, 1884.
Source Firkin
Design drawn in Paint.net, vectorised using Vector Magic and finished in Inkscape.
Source Firkin
To get the tile this is based on select the rectangle in Inkscape and use shift-alt-i
Source Firkin
From a tile that can be had by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
From a drawing in 'At home', J. Sowerby, J. Crane and T. Frederick, 1881.
Source Firkin
This was formed by distorting an image of a background on Pixabay.
Source Firkin