Made by distorting a simple pattern using the 'sin waves' plugin for Paint.net and vectorising in Vector Magic
Source Firkin
The square tile this is based on can be had by selecting the rectangle in Inkscape and using shift+alt+i
Source Firkin
From a drawing in 'At home', J. Sowerby, J. Crane and T. Frederick, 1881.
Source Firkin
Prismatic Curved Diamond Pattern 4 No Background
Source GDJ
Continuing the geometric trend, here is one more.
Source Mike Warner
A seamless pattern from a tile made from a jpg on Pixabay. To get the tile select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
Pattern produced in Paint.net using the Vibrato plug-in.
Source Firkin
To get the tile this is based on select the rectangle in Inkscape and use shift+alt+i
Source Firkin
Light gray grunge wall with a nice texture overlay.
Source Adam Anlauf
More bright luxury. This is a bit larger than fancy deboss, and with a bit more noise.
Source Viszt Péter
Did anyone say The Hoff? This pattern is in no way related to Baywatch.
Source Josh Green
Tiny, tiny 3D cubes. Reminds me of the good old pattern from k10k.
Source Etienne Rallion
Dark squares with some virus-looking dots in the grid.
Source Hugo Loning
The unit cell for this seamless pattern can be had in Inkscape by selecting the rectangle and using shift+alt+i.
Source Firkin
Design drawn in Paint.net, vectorised using Vector Magic and finished in Inkscape.
Source Firkin
Here's an yet another seamless note paper texture for use as a background on websites.
Source V. Hartikainen
Derived from a drawing in 'The Murmur of the Shells', Samuel Cowen, 1879.
Source Firkin
This was formed by distorting an image of a background on Pixabay.
Source Firkin
A seamless texture traced from an image on opengameart.org shared by Scouser.
Source Firkin
The starting point for this was a texture drawn with the 'Radial Colors' plug-in in Paint.net.
Source Firkin
A pale yellow background pattern with vertical stripes. The stripes are partially faded. I think this background image turned out pretty well, especially those faded stripes.
Source V. Hartikainen
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
You don’t see many mid-tone patterns here, but this one is nice.
Source Joel Klein