Bright Multicolored Floral Background by Karen Arnold from PDP.
Source GDJ
To get the tile this is based on, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
A version without colours blended together to give a different look.
Source Firkin
Zero CC tileable dry grass texture, photographed and made by me. CC0
Source Sojan Janso
The image a seamless pattern derived from a weed which I can't identify.The original weed image is from here:https://jp.pinterest.com/pin/500744052301423641/
Source Yamachem
Little x’es, noise and all the stuff you like. Dark like a Monday, with a hint of blue.
Source Tom McArdle
Remixed from a drawing in 'Sun Pictures of the Norfolk Broads', Ernest Suffling, 1892.
Source Firkin
Clean and crisp lines all over the place. Wrap it up with this one.
Source Dax Kieran
To get the tile this is based on, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
Seamless pattern the tile for which can be had by using shift-alt-I on the selected rectangle in Inkscape.
Source Firkin
A seamless paper background colored in pale yellow.
Source V. Hartikainen
A seamless pattern recreated from an image on Pixabay. It is reminiscent of parquet flooring and is formed from a square tile, which can be recovered in Inkscape by selecting the ungrouped rectangle and using shift-alt-I together.
Source Firkin
Alternative colour scheme. Not a pattern for fabrics, but one produced from a jpg of a stack of fabric items that was posted on Pixabay. The tile that this is based on can be had by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
This tiled background comes in red and consists of tiles that look like gemstones. It is more for blogs or social profiles, I think.
Source V. Hartikainen
Just like your old suit, all striped and smooth.
Source Alex Berkowitz
A seamless pattern based on a square tile that can be retrieved in Inkscape by selecting the rectangle and using shift-alt-i.
Source Firkin
A seamless texture of a rough concrete surface.
Source V. Hartikainen
From a drawing in 'Hundert Jahre in Wort und Bild', S. Stefan, 1899.
Source Firkin
A version without colours blended together to give a different look.
Source Firkin