Seamless , tileable CC-0 texture. Created by my own, feel free to use wherever you want!
Source Linolafett
Have you wondered about how it feels to be buried alive? Here is the pattern for it.
Source Hendrik Lammers
From a tile that can be had by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
I skipped number 3, because it wasn’t all that great. Sorry.
Source Dima Shiper
An interesting dark spotted pattern at an angle.
Source Hendrik Lammers
A seamless background drawn in Paint.net and vectorised with Vector Magic. The starting point was a photograph of drinking straws from Pixabay.
Source Firkin
Prismatic Snowflakes Pattern 3 No Background
Source GDJ
A bit like some carbon, or knitted netting if you will.
Source Anna Litvinuk
I have no idea what J Boo means by this name, but hey – it’s hot.
Source j Boo
More bright luxury. This is a bit larger than fancy deboss, and with a bit more noise.
Source Viszt Péter
This makes me wanna shoot some pool! Sweet green pool table pattern.
Source Caveman
If you like it a bit trippy, this wave pattern might be for you.
Source Ian Soper
Light honeycomb pattern made up of the classic hexagon shape.
Source Federica Pelzel
Prismatic Polka Dots Mark II No Background
Source GDJ
Dark pattern with some nice diagonal stitched lines crossing over.
Source Ashton
Derived from a drawing in 'The Murmur of the Shells', Samuel Cowen, 1879.
Source Firkin
Adapted heavily from a JPG that was uploaded to Pixabay by Viscious-Speed.
Source Firkin
Remix from a drawing in 'Ostatnie chwile powstania styczniowego', Zygmunt Sulima, 1887.
Source Firkin
Dark blue concrete wall with some small dust spots.
Source Atle Mo
A pattern derived from part of a fractal rendering in Paint.net.
Source Firkin
Remixed from a drawing in 'A Child of the Age', Francis Adams, 1894.
Source Firkin
This is so subtle you need to bring your magnifier!
Source Carlos Valdez
From a drawing in 'Uit de geschiedenis der Heilige Stede te Amsterdam', Yohannes Sterck, 1898.
Source Firkin
You know you love wood patterns, so here’s one more.
Source Richard Tabor