Colorful Floral Background No Black
Source GDJ
A version without colours blended together to give a different look.
Source Firkin
A seamless texture traced from an image on opengameart.org shared by Scouser.
Source Firkin
Remixed from a JPG that was uploaded to Pixabay by susanlu4esm
Source Firkin
Used in small doses, this could be a nice subtle pattern. Used on a large surface, it’s dirty!
Source Paul Reulat
Prismatic Abstract Geometric Background 2 No Black
Source GDJ
Background formed from the original with an emboss effect.
Source Firkin
A pattern formed from a photograph of a 16th century ceramic tile.
Source Firkin
Prismatic Basic Pattern 2 No Background
Source GDJ
Crossing lines with a subtle emboss effect on a dark background.
Source Stefan Aleksić
Number five from the same submitter, makes my job easy.
Source Dima Shiper
Your eyes can trip a bit from looking at this – use it wisely.
Source Michal Chovanec
A seamless pattern the starting point for which was a 'light rays' rendering in Paint.net.
Source Firkin
Not the Rebel alliance, but a dark textured pattern.
Source Hendrik Lammers
Seamless pattern formed from a tile that can be extracted by selecting the rectangle in Inkscape and using shift-alt-i.
Source Firkin
A seamless texture traced from an image on opengameart.org shared by Scouser.
Source Firkin
I’m starting to think I have a concrete wall fetish.
Source Atle Mo
Fabric-ish patterns are close to my heart. French Stucco to the rescue.
Source Christopher Buecheler
Prismatic Abstract Geometric Background derived from an image on Pixabay.
Source GDJ
Formed from a tile based on a drawing from 'Viaggi d'un artista nell'America Meridionale', Guido Boggiani, 1895.
Source Firkin
A free seamless background image with abstract texture of green "curtain".
Source V. Hartikainen
One week and it's Easter already. Thought I would revisit the decorated egg contest at inkscape community: http://forum.inkscapecommunity.com/index.php?topic=118.0
Source Lazur URH
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin