More Textures
Graphy@2X #351
 Grid  CC BY-SA 3.0

Looks like a technical drawing board: small squares forming a nice grid.

Source We Are Pixel8

Zig-zag pattern 5 #2414
 Grid  CC 0

A seamless pattern based on a square tile that can be retrieved in Inkscape by selecting the rectangle and using shift-alt-i.

Source Firkin

Seamless Core Pattern 2 #166
 Dark  CC 0

Seamless Core Pattern 2

Source GDJ

Subtle Orange Emboss #97
 Light  CC BY-SA 3.0

A hint of orange color, and some crossed and embossed lines.

Source Adam Anlauf

Prismatic Abstract Geometric Background 4 No Black #441
 Dark  CC 0

Prismatic Abstract Geometric Background 4 No Black

Source GDJ

Green Gobbler #85
 Dark  CC BY-SA 3.0

Luxurious looking pattern (for a T-shirt maybe?) with a hint of green.

Source Simon Meek

Background pattern 272 (colour 3) #2055
 Red  CC 0

A seamless pattern the unit cell for which can be had by selecting the rectangle in Inkscape and using shift+alt+i.

Source Firkin

Floral background 2@2X #430
 Wall  CC 0

Background formed from the original with an emboss effect

Source GDJ

White carbon@2X #12
 Carbon  CC BY-SA 3.0

Same as the black version, but now in shades of gray. Very subtle and fine grained.

Source Atle Mo

Background pattern 258 #2135
 Dark  CC 0

Remixed from a design on Pixabay. To get the tile this is based on select the rectangle in Inkscape and use shift-alt-i.

Source Firkin

Background pattern 308 (colour 3) #1870
 Colorful  CC 0

Design drawn in Paint.net, vectorised using Vector Magic and finished in Inkscape.

Source Firkin

Prismatic Triangular Seamless Pattern III With Background #273
 Dark  CC 0

Prismatic Triangular Seamless Pattern III With Background

Source GDJ

Parquet flooring pattern #2427
 Red  CC 0

A seamless pattern recreated from an image on Pixabay. It is reminiscent of parquet flooring and is formed from a square tile, which can be recovered in Inkscape by selecting the ungrouped rectangle and using shift-alt-I together.

Source Firkin

MBossed #193
 Grid  CC BY-SA 3.0

Embossed lines and squares with subtle highlights.

Source Alex Parker