A light brushed aluminum pattern for your pleasure.
Source Tim Ward
The tile this is formed from can be retrieved in Inkscape by selecting the rectangle and using shift+alt+i
Source Firkin
A seamless texture traced from an image on opengameart.org shared by Scouser.
Source Firkin
Here's a subtle marble-like background for use on websites.
Source V. Hartikainen
To get the tile this is based on, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
As the original image 's page size is too large for its image size, I remixed it.
Source Yamachem
From an image on opengameart.org shared by rubberduck.
Source Firkin
From a drawing in 'From Snowdon to the Sea. Striking stories of North and South Wales', Marie Trevelyan, 1895.
Source Firkin
Detailed but still subtle and quite original. Lovely gray shades.
Source Kim Ruddock
The image a seamless pattern of a wire-mesh fence.I want you to use this pattern as a lower layer.
Source Yamachem
White handmade paper pattern with small bumps.
Source Marquis
From a design in 'Storia del Palazzo Vecchio in Firenze', Aurelio Gotti, 1889.
Source Firkin
Zerro CC tillable texture of stones photographed and made by me. CC0
Source Sojan Janso
Design drawn in Paint.net, vectorised using Vector Magic and finished in Inkscape.
Source Firkin
Design drawn in Paint.net, vectorised using Vector Magic and finished in Inkscape.
Source Firkin
High detail stone wall with minor cracks and specks.
Source Projecteightyfive
Not strictly seamless in that opposite edges are not identical. But they do marry up to make an interesting pattern
Source Firkin
Tweed is back in style – you heard it here first. Also, the @2X version here is great!
Source Simon Leo
Zerro CC tillable texture of stones photographed and made by me. CC0
Source Sojan Janso
Remixed from a drawing in 'The March of Loyalty', Letitia MacClintock, 1884.
Source Firkin
You were craving more leather, so I whipped this up by scanning a leather jacket.
Source Atle Mo
From a drawing in 'At home', J. Sowerby, J. Crane and T. Frederick, 1881.
Source Firkin
Sweet and subtle white plaster with hints of noise and grunge.
Source Phil Maurer
A mid-tone gray pattern with some cement looking texture.
Source Hendrik Lammers
I asked Gjermund if he could make a pattern for us – result!
Source Gjermund Gustavsen